The Unspoken is a 2016 Canadian horror film written and directed by Sheldon Wilson (The Hollow; Scarecrow; Red: Werewolf Hunter; Mothman). It is also known as The Haunting of Briar House.
In North America, the film is released theatrically and on VOD on October 28, 2016. A DVD release follows on December 6, 2016 from Anchor Bay Entertainment.
Main cast:
Jodelle Ferland (The Tall Man; The Cabin in the Woods; Case 39), Sunny Suljic, Lochlyn Munro, Fulvio Cecere, Michael Rogers.
Plot:
In 1997 the close-knit Anderson family vanished from their rural home without a trace without an explanation. No bodies were ever found and for seventeen years the house has remained undisturbed. Until now…
Reviews:
“The opening is particularly strong, setting up a haunted house story in a way that actually gives it more of a backstory and feel of place. Less effective is the local rednecks who’ve hidden drugs in the now years later and still abandoned house of notoriety sub-plot. Still, they do develop insomuch as being part of the kind of resolution that should please fans of the genre.” David Paul Hellings, SFF World
“I actually started playing Count the Checklist, hitting ten before I got to the title sequence and you know what? It was a damn sight more entertaining than actually watching the movie. I can’t tell you more about the plot because that’s about it. In the last twenty minutes the filmmakers remembered to put something else in and at that stage Unspoken goes completely off the rails.” Pat Fox, Vulturehound
“Sheldon Wilson, who wrote and directed, puts forth a game effort to tell a cohesive story and so do the actors. (Neal McDonough makes what is, essentially, a cameo and commands attention for the few minutes that he’s on screen.) What’s missing, however, is an authentically unnerving atmosphere that could breed fear or suspense, leaving The Unspoken to flail about in search of scares.” Peter Martin, Screen Anarchy
“In terms of horror, the film’s strongest scenes take place during the home invasion, but this is the kind of scripting where somebody thinks up a brutal way to maim or kill and then assumes they can hang a whole story on it. It’s desperate stuff. Meanwhile, characters come and go but only seem to matter when they’re onscreen.” Jennie Kermode, Eye for Film
“Events build to a climax and then that twist, which will probably surprise you, even if it might not be entirely satisfactory. And that’s the problem with Unspoken as a whole – there are some good bits here, and lots of promise, but it doesn’t really hang together.” John Llewellyn Probert, House of Mortal Cinema
